A beautiful view after painting by William Turner, showing the wooden battleship on her last trip to be broken up as the sun sets. Original mezzotint signed by the famous British artist, with Print Sellers Association stamp in left corner. John Cother Webb, Landseer’s student, was in his lifetime ...

Dimensions (W x H): 45 x 34 / 17½ x 13½

A beautiful view of Venice after painting by William Turner. Original mezzotint signed by the famous British artist, with Print Sellers Association stamp in left corner. John Cother Webb, Landseer’s student, was in his lifetime called the "doyen" of English mezzotinters. Webb's early works were on ...

Dimensions (W x H): 45 x 34 / 17½ x 13½

A beautiful view of Venice after painting by William Turner. Original mezzotint signed by the famous British artist, with Print Sellers Association stamp in left corner. John Cother Webb, Landseer’s student, was in his lifetime called the "doyen" of English mezzotinters. Webb's early works were on ...

Dimensions (W x H): 45 x 34 / 17½ x 13½

A beautiful view of Venice after painting by William Turner. Original mezzotint signed by the famous British artist, with Print Sellers Association stamp in left corner. John Cother Webb, Landseer’s student, was in his lifetime called the "doyen" of English mezzotinters. Webb's early works were on ...

Dimensions (W x H): 45 x 34 / 17½ x 13½

Dimensions (W x H): 60 x 50 / 23½ x 19½

Both edition no. 9 of 30. Signed and dated on the verso by Antony Gormley. Gormley describes his work as "an attempt to materialise the place at the other side of appearance where we all live." His work attempts to treat the body not as a thing but a place and in making works that enclose the ...

Dimensions (W x H): 50 x 57.5 / 19½ x 22½

Edition no. 9 of 30. Signed and dated on the verso by Antony Gormley. Gormley describes his work as "an attempt to materialise the place at the other side of appearance where we all live." His work attempts to treat the body not as a thing but a place and in making works that enclose the space of ...

Dimensions (W x H): 50 x 57.5 / 19½ x 22½

Edition no. 9 of 30. Signed and dated on the verso by Antony Gormley. Gormley describes his work as "an attempt to materialise the place at the other side of appearance where we all live." His work attempts to treat the body not as a thing but a place and in making works that enclose the space of ...

Dimensions (W x H): 50 x 57.5 / 19½ x 22½

Edition no. 9 of 30. Signed and dated on the verso by Antony Gormley. Gormley describes his work as "an attempt to materialise the place at the other side of appearance where we all live." His work attempts to treat the body not as a thing but a place and in making works that enclose the space of ...

Dimensions (W x H): 50 x 57.5 / 19½ x 22½

Dimensions (W x H): 64 x 53 / 25 x 21

Dimensions (W x H): 64 x 53 / 25 x 21

Artist’s Proof signed in pencil.William Henry Simmons, mezzotint engraver engraved plates after Landseer, Holman Hunt, Millais, and other artists.

Dimensions (W x H): 50.5 x 68 / 20 x 27

Ackerman’s encyclopaedic work on the colleges of Oxford is perhaps the definitive work on the subject. Prints from this work are much sought after.

Dimensions (W x H): 29.5 x 25 / 11½ x 10