Please remember that some of our items are not posted on this web site.
If you have difficulty finding an item or would like assistance, please call us on +44 (0)20 7591 8790 .
If you have difficulty finding an item or would like assistance, please call us on +44 (0)20 7591 8790 .
£250
more info
WARHOL, Andy
Sunday B. Morning and fill in your own signature rubber stamp to verso. An unauthorized edition published in Europe from the original screens from the Campbell’s Soup I portfolio.
Dimensions (W x H): 58.4 x 89 / 23 x 35
£250
more info
WARHOL, Andy
Sunday B. Morning and fill in your own signature rubber stamp to verso. An unauthorized edition published in Europe from the original screens from the Campbell’s Soup I portfolio.
Dimensions (W x H): 58.4 x 89 / 23 x 35
£250
more info
WARHOL, Andy
Sunday B. Morning and fill in your own signature rubber stamp to verso. An unauthorized edition published in Europe from the original screens from the Campbell’s Soup I portfolio.
Dimensions (W x H): 58.4 x 89 / 23 x 35
£250
more info
WARHOL, Andy
Sunday B. Morning and fill in your own signature rubber stamp to verso. An unauthorized edition published in Europe from the original screens from the Campbell’s Soup I portfolio.
Dimensions (W x H): 58.4 x 89 / 23 x 35
£250
more info
WARHOL, Andy
Sunday B. Morning and fill in your own signature rubber stamp to verso. An unauthorized edition published in Europe from the original screens from the Campbell’s Soup I portfolio.
Dimensions (W x H): 58.4 x 89 / 23 x 35
£17500
more info
WARHOL, Andy
No.123 of 250. Signed in ballpoint pen by Andy Warhol and numbered with a rubber stamp to verso. There was also 26 artist’s proofs. From the Campbell’s Soup II portfolio.
Dimensions (W x H): 58.4 x 89 / 23 x 35
£250
more info
WARHOL, Andy
Sunday B. Morning and fill in your own signature rubber stamp to verso. An unauthorized edition published in Europe from the original screens from the Campbell’s Soup I portfolio.
Dimensions (W x H): 58.4 x 89 / 23 x 35
£900
more info
WARHOL, Andy.
Sunday B. Morning and fill in your own signature rubber stamped to verso. An unauthorized edition published in Europe from the original screens from the Flowers portfolio.
Dimensions (W x H): 91 x 91 / 36 x 36
£5700
more info
WARHOL, Andy
One of 190. One of 190. Plate 17 from the book 25 Cats Name Sam and One Blue Pussy. Printed by Seymour Berlin. Andy’s mother Julia Warhola did the calligraphy. In handmade silver gilt frame.
Dimensions (W x H): 15 x 22.5 / 6 x 9
£4750
more info
WARHOL, Andy
One of 190. One of 190. Plate 8 from the book 25 Cats Name Sam and One Blue Pussy. Printed by Seymour Berlin. Andy’s mother Julia Warhola did the calligraphy.
Dimensions (W x H): 15 x 22.5 / 6 x 9
£4950
more info
WARHOL, Andy
One of 190. One of 190. Plate 11 from the book 25 Cats Name Sam and One Blue Pussy. Printed by Seymour Berlin. Andy’s mother Julia Warhola did the calligraphy. In hand made silver gilt frame.
Dimensions (W x H): 15 x 22.5 / 6 x 9
£4750
more info
WARHOL, Andy
One of 190. One of 190. Plate 6 from the book 25 Cats Name Sam and One Blue Pussy. Printed by Seymour Berlin. Andy’s mother Julia Warhola did the calligraphy.
Dimensions (W x H): 15 x 22.5 / 6 x 9
£4750
more info
WARHOL, Andy
One of 190. One of 190. Plate 16 from the book 25 Cats Name Sam and One Blue Pussy. Printed by Seymour Berlin. Andy’s mother Julia Warhola did the calligraphy.
Dimensions (W x H): 15 x 22.5 / 6 x 9
£4950
more info
WARHOL, Andy
One of 190. One of 190. Cover plate from the book 25 Cats Name Sam and One Blue Pussy. Printed by Seymour Berlin. Andy’s mother Julia Warhola did the calligraphy. In a black and gilded frame.
Dimensions (W x H): 15 x 22.5 / 6 x 9
£7700
more info
WARHOL, Andy
One of 190. Plate 1 from the book 25 Cats Name Sam and One Blue Pussy. Printed by Seymour Berlin. Andy’s mother Julia Warhola did the calligraphy. Inscribed to Stuart Preston at the top of the plate by Warhol. Preston was the American art critic and writer for the New Yorker. His post-war years ...
Dimensions (W x H): 15 x 22.5 / 6 x 9
£4750
more info
WARHOL, Andy
One of 190. One of 190. Plate 12 from the book 25 Cats Name Sam and One Blue Pussy. Printed by Seymour Berlin. Andy’s mother Julia Warhola did the calligraphy.
Dimensions (W x H): 15 x 22.5 / 6 x 9
£4750
more info
WARHOL, Andy
One of 190. One of 190. Plate 4 from the book 25 Cats Name Sam and One Blue Pussy. Printed by Seymour Berlin. Andy’s mother Julia Warhola did the calligraphy.
Dimensions (W x H): 15 x 22.5 / 6 x 9
£4950
more info
WARHOL, Andy
One of 190. One of 190. Plate 3 from the book 25 Cats Name Sam and One Blue Pussy. Printed by Seymour Berlin. Andy’s mother Julia Warhola did the calligraphy. In handmade silver gilt frame.
Dimensions (W x H): 15 x 22.5 / 6 x 9
£4750
more info
WARHOL, Andy
One of 190. One of 190. Plate 5 from the book 25 Cats Name Sam and One Blue Pussy. Printed by Seymour Berlin. Andy’s mother Julia Warhola did the calligraphy.
Dimensions (W x H): 15 x 22.5 / 6 x 9
£4950
more info
WARHOL, Andy
One of 190. One of 190. Plate 2 from the book 25 Cats Name Sam and One Blue Pussy. Printed by Seymour Berlin. Andy’s mother Julia Warhola did the calligraphy. In handmade silver gilt frame.
Dimensions (W x H): 15 x 22.5 / 6 x 9
£4750
more info
WARHOL, Andy
One of 190. One of 190. Plate 9 from the book 25 Cats Name Sam and One Blue Pussy. Printed by Seymour Berlin. Andy’s mother Julia Warhola did the calligraphy.
Dimensions (W x H): 15 x 22.5 / 6 x 9
£4750
more info
WARHOL, Andy
One of 190. One of 190. Plate 10 from the book 25 Cats Name Sam and One Blue Pussy. Printed by Seymour Berlin. Andy’s mother Julia Warhola did the calligraphy.
Dimensions (W x H): 15 x 22.5 / 6 x 9
£4950
more info
WARHOL, Andy
One of 190. One of 190. Plate 13 from the book 25 Cats Name Sam and One Blue Pussy. Printed by Seymour Berlin. Andy’s mother Julia Warhola did the calligraphy. In handmade silver gilt frame.
Dimensions (W x H): 15 x 22.5 / 6 x 9
£4950
more info
WARHOL, Andy
One of 190. One of 190. Plate 7 from the book 25 Cats Name Sam and One Blue Pussy. Printed by Seymour Berlin. Andy’s mother Julia Warhola did the calligraphy. In handmade silver gilt frame.
Dimensions (W x H): 15 x 22.5 / 6 x 9
£1500
more info
WARHOL, Andy.
Print edition unknown. A poster printed to coincide with an exhibition in Köln ‘Andy Warhol Das Graphische Gesamtwerk’ between April - June 1980. Signed by Warhol on the image, lower right. This image was originally issued as a screenprint of 632 unique prints of 40 portfolios containing 4 prints ...
Dimensions (W x H): 60 x 84 / 23½ x 33
£5000
more info
WARHOL, Andy.
Unknown Edition. At the back of the neckline is the original attached label that reads: ‘The Souper Dress. No Cleaning - No Washing - It's Carefree. Fire resistant unless washed or cleaned. To refreshen, press lightly with warm iron. 80% Cellulose, 20% Cotton.’
Dimensions (W x H): 55 x 93 / 21½ x 36½
£3500
more info
WARHOL, Andy.
Signed by Andy Warhol lower right. First album pressing and first issue sleeve with peeling banana and the suppressed image on rear panel, of the so called 'Banana Album' designed and produced by Andy Warhol. Recorded in 1966 during Andy Warhol's Exploding Plastic Inevitable multimedia event tour. ...
Dimensions (W x H): 63 x 31.5 / 25 x 12½
£28000
more info
WARHOL, Andy.
No. 90 of 190. From an edition of 190, 30 AP, 5 PP, 5 EP,10 HC, 10 numbered in Roman numerals. Signed and numbered lower left by Andy Warhol. From the Ads portfolio.
Dimensions (W x H): 96.5 x 96.5 / 38 x 38
£2500
more info
WARHOL, Andy
Swedish exhibition poster for record sleeve designs signed upper left by Andy Warhol.
Dimensions (W x H): 31 x 62 / 12 x 24½
£1750
more info
SEEN
Unique. Tag signed by Seen. The Godfather of Graffiti. Seen started to paint trains in the early 1970’s creating dozens of murals and wholecars (applying graffiti to a whole carriage in one session) throughout the 1970s and 80s. He was among the early artists who put their art onto canvases and was ...
Dimensions (W x H): 61 x 76 / 24 x 30
£300
more info
AVEDON, Richard.
Richard Avedon's glorious portrait of John Lennon, commissioned by Beatles company NEMS Enterprises Ltd and licensed for sale through three outlets - Look magazine in America, (as here,) the Daily Express in the UK and Stern Magazine in Germany.
Dimensions (W x H): 58 x 78 / 23 x 30½
£2500
more info
LAING, Gerald
No. 40 of 90. Signed and dated in pencil lower left by Gerald Laing, titled and numbered lower right. Laing began his career as one of the British Pop Artists of the early 1960's. During his first visit to New York in 1963 he met some emerging artists such as Andy Warhol and Roy Lichtenstein. He ...
Dimensions (W x H): 65.5 x 98.5 / 26 x 39
£300
more info
GREENWOOD, C&J
Large and attractive map of Cumberland with a detailed and decorative vignette view of Carlisle Cathedral lower right. During the eighteenth century each county map was a separate project sponsored by the local gentry. By 1800 nearly all English counties had been surveyed. In the early nineteenth ...
Dimensions (W x H): 73.5 x 63 / 29 x 25
£195
more info
GREENWOOD, C&J
Large and attractive map of Herefordshire with a detailed and decorative vignette view of Hereford Cathedral lower left. During the eighteenth century each county map was a separate project sponsored by the local gentry. By 1800 nearly all English counties had been surveyed. In the early ...
Dimensions (W x H): 73.5 x 63 / 29 x 25
£220
more info
GREENWOOD, C&I
Vignette lower right corner View of Belvoir Castle, The Seat of His Grace The Duke of Rutland engraved by Creighton. Explanation, reference and scale. During the eighteenth century each county map was a separate project sponsored by the local gentry. By 1800 nearly all English counties had been ...
Dimensions (W x H): 73 x 62 / 28½ x 24½
£300
more info
GREENWOOD, C&J
Large and attractive map of Monmouthshire with a detailed and decorative vignette view of Tintern Abbey lower left. During the eighteenth century each county map was a separate project sponsored by the local gentry. By 1800 nearly all English counties had been surveyed. In the early nineteenth ...
Dimensions (W x H): 73.5 x 61 / 29 x 24
£350
more info
GREENWOOD, C&J
Large and attractive map of Norfolk with a detailed and decorative vignette view of Norwich Cathedral lower right. During the eighteenth century each county map was a separate project sponsored by the local gentry. By 1800 nearly all English counties had been surveyed. In the early nineteenth ...
Dimensions (W x H): 73.5 x 61 / 29 x 24
£395
more info
GREENWOOD, C&J
Large decorative map of Northamptonshire with vignette of Peterborough Cathedral lower right. During the eighteenth century each county map was a separate project sponsored by the local gentry. By 1800 nearly all English counties had been surveyed. In the early nineteenth century two enterprises ...
Dimensions (W x H): 73 x 62 / 28½ x 24½
£300
more info
GREENWOOD, C&J
Large and attractive map of Northumberland with a detailed and decorative vignette view of Alnwick Castle upper left. During the eighteenth century each county map was a separate project sponsored by the local gentry. By 1800 nearly all English counties had been surveyed. In the early nineteenth ...
Dimensions (W x H): 63 x 61 / 25 x 24
£275
more info
GREENWOOD, C&I
Vignette lower right corner The collegiate of St. Mary, Southwell engraved by Creighton. Explanation, reference and scale. During the eighteenth century each county map was a separate project sponsored by the local gentry. By 1800 nearly all English counties had been surveyed. In the early ...
Dimensions (W x H): 73 x 62 / 28½ x 24½
£220
more info
GREENWOOD, C&J
Large and attractive map of Shropshire with a detailed and decorative vignette view of Shrewbury lower left. During the eighteenth century each county map was a separate project sponsored by the local gentry. By 1800 nearly all English counties had been surveyed. In the early nineteenth century ...
Dimensions (W x H): 73.5 x 63 / 29 x 25
£245
more info
GREENWOOD, C&J
Large and attractive map of Staffordshire with a detailed and decorative vignette view of Lichfield Cathedral lower right. During the eighteenth century each county map was a separate project sponsored by the local gentry. By 1800 nearly all English counties had been surveyed. In the early ...
Dimensions (W x H): 73.5 x 63 / 29 x 25
£400
more info
GREENWOOD, C&J
Large and attractive map of Warwickshire with a detailed and decorative vignette view of Warwick Castle lower left. During the eighteenth century each county map was a separate project sponsored by the local gentry. By 1800 nearly all English counties had been surveyed. In the early nineteenth ...
Dimensions (W x H): 73.5 x 63 / 29 x 25
£400
more info
GREENWOOD, C&J
Large and attractive map of the county of Westmorland with a detailed and decorative vignette view of Appleby lower right. During the eighteenth century each county map was a separate project sponsored by the local gentry. By 1800 nearly all English counties had been surveyed. In the early ...
Dimensions (W x H): 73 x 63 / 28½ x 25
£300
more info
GREENWOOD, C&J
Large and attractive map of Worcestershire with a detailed and decorative vignette view of Worcester Cathedral lower left. During the eighteenth century each county map was a separate project sponsored by the local gentry. By 1800 nearly all English counties had been surveyed. In the early ...
Dimensions (W x H): 73.5 x 63 / 29 x 25
£250
more info
GREENWOOD, C&J
Large and attractive map of Yorkshire with a detailed and decorative vignette view of York Minster lower left. During the eighteenth century each county map was a separate project sponsored by the local gentry. By 1800 nearly all English counties had been surveyed. In the early nineteenth century ...
Dimensions (W x H): 73.5 x 63 / 29 x 25
£850
more info
SEEN
Limited to 500. Each map is unique, hand sprayed, numbered and signed by Seen. The Godfather of Graffiti. Seen started to paint trains in the early 1970’s creating dozens of murals and wholecars (applying graffiti to a whole carriage in one session) throughout the 1970s and 80s. He was among the ...
Dimensions (W x H): 58 x 83 / 23 x 32½
£950
more info
SEEN
Limited to 500. Each map is unique, hand sprayed, numbered and signed by Seen. The Godfather of Graffiti. Seen started to paint trains in the early 1970’s creating dozens of murals and wholecars (applying graffiti to a whole carriage in one session) throughout the 1970s and 80s. He was among the ...
Dimensions (W x H): 58 x 83 / 23 x 32½
£950
more info
SEEN
Limited to 500. Numbered and signed by Seen. Each map is unique. The Godfather of Graffiti. Seen started to paint trains in the early 1970’s creating dozens of murals and wholecars (applying graffiti to a whole carriage in one session) throughout the 1970s and 80s. He was among the early artists ...
Dimensions (W x H): 58 x 83 / 23 x 32½
£6000
more info
A rather raffish character, McSwiny made and lost “a moderate younger brother’s fortune” as a theatrical impresario in London. With the failure of Handel’s Teseo in 1713 he was bankrupted and forced to flee abroad. Settling in Italy he continued to act as an agent for Italian opera in London, ...
£1500
more info
LAING, Gerald
No. 46 of 200. Signed in pencil lower right by Gerald Laing. Artist’s blindstamp, numbered, titled and dated lower left. From the Baby Baby Wild Things portfolio. Laing began his career as one of the British Pop Artists of the early 1960's. During his first visit to New York in 1963 he met some ...
Dimensions (W x H): 58.5 x 89 / 23 x 35